Te Whare Rangahau (La casa de la investigación): Designing a methodological framework for an artistic inquiry into Māori gender, identity and performance.
Resumen
Este artículo examina el marco metodológico construido para la tesis doctoral Takatāpui Beyond Marginalisation: Exploring Māori Gender, Identity and Performance. En esta investigación artística dirigida por la práctica, el investigador adoptó un enfoque crítico iterativo en el que "las preguntas de investigación eran inicialmente exploratorias y reflexivas, y servían para crear un diálogo interno entre el practicante y la creación" (Tavares & Ings, 2018, p. 20). La pregunta formativa que sustentaba la tesis planteaba:
¿Cómo podría una reconsideración artística de la diferenciación de roles de género dar una voz única a la identidad takatāpui tāne?1
La investigación pretendía iluminar un contexto experiencial y, a continuación, generar artefactos visuales y escénicos en los que el principio de irarere, dentro de la identidad de género y la orientación sexual, pudiera encontrar un lugar adecuado para situarse dentro del te ao Māori (la cosmovisión maorí).2
Partiendo de un paradigma Kaupapa Māori, el estudio empleó la metáfora metodológica de Te Whare Rangahau, un espacio de investigación poblado de métodos como la karakia (encantamiento), la entrevista kanohi ki te kanohi (cara a cara), la experimentación iterativa, la pakiwaitara (investigación poética), la fotografía y la coreografía. En la tesis, Te Whare Rangahau integró una serie de características del marco Pūrākau de Robert Pouwhare (2020) para la investigación artística dirigida por la práctica, en concreto su observación de que en gran parte de la investigación artística maorí, a través de la mahi (práctica) y la investigación heurística, el investigador puede obtener sustento tanto del reino de Te Kura Huna (lo que no se ve, genealógico, esotérico o tácito), como de Te Kura Tūrama (lo que es explícito y se ve). Dentro de la epistemología maorí, una dinámica de mahi (práctica) extrae nutrientes de estos reinos, sintetizando y conectando elementos en la generación de resultados artísticos performativos y basados en la impresión.
Citas
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