Through Immigrant Lens: A Reflection on Pierre Boudier’s Concept of Habitus Clivé through Photography

Abstract

This article explores the creative practice of immigrant photography, specifically examining the artistic work of immigrants who have chosen Australia as their place of settlement. Analysing their photographic works, the article reflects on Pierre Bourdieu’s concept of habitus clivé, which develops the notion of a fractured or divided self. This division arises when individuals confront conflicting social contexts, resulting in internal tension or dissonance within their sense of identity. In the context of migration, habitus clivé can manifest in various ways, such as tensions or conflicts between cultural traditions and new cultural contexts. Furthermore, migration can involve adaptation and adjustment in which individuals may selectively incorporate elements of the new culture into their existing habitus while maintaining aspects of cultural identity associated withtheir country of origin. These processes of negotiation and hybridisation can further contribute to the development of habitus clivé. For Bourdieu, these internal contradictions within one’s social identity are not static but evolve through ongoing social interactions. By closely examining immigrant photographers, the article highlights the visual narratives that emerge, illustrating how photography can transcend physical boundaries, creating an intermediary space between dislocation and settlement. This space becomes a potent mechanism for fostering a sense of belonging that extends beyond geographic boundaries. Interestingly, this sense is not secured to a specific geographic location but, rather, encompasses broader, internalised, notion of place. These changes align with the concept of habitus clivé as individuals navigate the complexities of migration and settlement. As a medium, photography enables individuals to inhabit this interim space of familiarity, enabling embodiment and facilitating connection with a sense of place that transcends traditional notions of belonging. The article discusses how photography can empower immigrant narratives, supporting a sense of belonging while capturing the diverse experiences of individuals navigating the challenges of immigration and settlement.