Bridging Binaries: Navegando por el espacio bicultural en el diseño cinematográfico
Resumen
Este artículo examina cómo un investigador (un cineasta cuyo linaje es tanto indígena como europeo) navega por un "entre" que a veces desbarata las convenciones culturales. Como hombre gay que se identifica como bicultural, me oriento con, dentro y entre mundos. Desde esta posición, mis planteamientos se basan en gran medida en los valores maoríes de manaakitanga (atender las necesidades de las personas), kaitiakitanga (proteger y cuidar toda la creación) y whanaungatanga (crear y mantener relaciones). Estos valores se complementan con los que emanan de mi posición como activista gay y la consiguiente preocupación por la justicia social y por hacer frente a la eliminación, marginación o exotización de las identidades LGBTQ+. Aunque soy de ascendencia mestiza, veo mi posición bicultural como una forma de acceder a una forma de pluralismo epistemológico que abarca formas de conocimiento intelectuales, físicas, sociales y espirituales. Así, al crear el largometraje Punch (Ings, 2022), fue necesario encontrar un lugar en el que situarse, en la práctica, como diseñador de historias bicultural. Esto implicaba actualizar el cuidado productivo dentro de cómo se experimentaba la producción de la película, trabajar en comunión con la tierra como ser vivo y navegar por las tensiones de la transgresión estableciendo facilidades para la orientación y el conocimiento cultural dentro del proyecto.
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