Summer Scenes and Flowers: The Beginnings of the New Zealand Christmas Card, 1880-1882

  • Peter Gilderdale
Keywords: Christmas traditions, card sending, New Zealand identity, cultural colonisation, photography

Abstract

n October 1883, just as New Zealanders began the annual ritual of buying seasonal tokens of esteem to post overseas, Dunedin’s Evening Star, quoting local photographers the Burton Brothers, posed a question that had exercised immigrants for some years. “Does it not seem folly,” the paper asked “to send back to the Old Country Christmas cards which were manufactured there and exported hither?”1 This was a rhetorical question and the Evening Star went on to respond that “a few years since we should have replied ‘No’; but in view of the experiences of the last two years we say most decidedly, ‘Yes, it is folly.’” The newspaper, clearly, saw the period of 1881 and 1882 as pivotal in the establishment of a small but important industry, the New Zealand Christmas card business.2 My paper examines why these years are significant and what lies behind the debate, identifying a number of early cards and documenting the accompanying developments, primarily via the lens of newspaper advertising. The 1880s Christmas card may not have been an industry on the scale of lamb, but what it lacked in bulk it made up for in symbolism, providing a discrete window into the web of entangled emotional, commercial and design imperatives that attended the way immigrants imagined and constructed this important cultural celebration.

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Published
2017-12-01
How to Cite
Gilderdale, P. (2017). Summer Scenes and Flowers: The Beginnings of the New Zealand Christmas Card, 1880-1882. Back Story Journal of New Zealand Art, Media & Design History, (3), 5-25. https://doi.org/10.24135/backstory.vi3.26
Section
Articles