Black women as compost: An autoethnographic cantata

  • Allison Upshaw Stillman College

Abstract

This performative autoethnography is a restorying of my Black girlhood/Black womanhood journey. The format incorporates Black aesthetics through poetic and musical representations, while inviting the reader to make meaning for themselves. This autoethnographic cantata is a call to Black women everywhere to sing their own melodies and to compose their own songs from girlhood to womanhood. The lack of intext citations is also a purposeful call for readers to connect this work within their own disciplinary contexts and knowledge bases. It is written to be spoken or sung aloud, alone or in groups.

Published
2020-11-24
How to Cite
Upshaw, A. (2020). Black women as compost: An autoethnographic cantata. Ethnographic Edge, 4. https://doi.org/10.15663/tee.v4i.60