Pacific Journalism Monographs : Te Koakoa: Ngā Rangahau https://ojs.aut.ac.nz/pacific-journalism-monographs <p>&nbsp;</p> <p>&nbsp;</p> en-US <p>Authors submitting articles for publication warrant that the work is not an infringement of any existing copyright and will indemnify the publisher against any breach of such warranty. By publishing in <em>Pacific Journalism Monographs</em>, the author(s) agree to the dissemination of their work through <em>Pacific Journalism Review</em> and on the <em>PJR</em> databases.</p> <p>By publishing in&nbsp;<em>Pacific Journalism Monographs</em>, the authors grant the Journal a Creative Commons nonexclusive worldwide license for electronic dissemination of the article via the internet, and, a nonexclusive right to license others to reproduce, republish, transmit, and distribute the content of the journal. The authors grant the Journal the right to transfer content (without changing it), to any medium or format necessary for the purpose of preservation.</p> <p>Authors agree that the Journal will not be liable for any damages, costs, or losses whatsoever arising in any circumstances from its services, including damages arising from the breakdown of technology and difficulties with access.&nbsp;</p> davidrobie.nz@icloud.com (David Robie) tuwhera@aut.ac.nz (Tuwhera Open Access) Tue, 20 Mar 2018 00:00:00 +0000 OJS 3.1.2.4 http://blogs.law.harvard.edu/tech/rss 60 Pacific Journalism Monographs: Conflict, Custom & Conscience https://ojs.aut.ac.nz/pacific-journalism-monographs/article/view/13 <p>A group of Melanesian women march behind an anti-mining "NO BCL, NO MINING" banner, across a small field in the now-autonomous region of Bougainville. Their protest is ostensibly unseen by the rest of the world. Their protest efforts are local, gender-specific, indigenous, and part of a wider movement to stop any production on the Panguna copper mine. This conflict claimed an estimated 10,000 lives in the 1990s civil war. This photograph is one of the many that we have selected to mark the 10th anniversary of the Pacific Media Centre in Auckland University of Technology's School of Communication Studies.<br> <br> <em>Fifteen photojournalists and photographers who have worked with the Pacific Media Centre for the past decade have donated their images for this book project. </em><strong><em>Although the book is not actually for sale</em></strong><em>, it has been produced as a limited edition for those who have contributed to the PMC.</em><strong><em> It will also be available in libraries</em></strong></p> Berrin Yanikkaya, Jim Marbrook, Natalie Robertson, David Robie Copyright (c) 2017 Pacific Media Centre http://creativecommons.org/licenses/by-nc/4.0/ https://ojs.aut.ac.nz/pacific-journalism-monographs/article/view/13 Thu, 30 Nov 2017 00:00:00 +0000 Conflict, Custom & Conscience https://ojs.aut.ac.nz/pacific-journalism-monographs/article/view/18 <p>A group of Melanesian women march behind an anti-mining ‘No BCL No Mining’ banner, across a small field in the now-autonomous region of Bougainville. Their protest is ostensibly unseen by the rest of the world. Their protest efforts are local, gender-specific, indigenous, and part of a wider movement to stop any production on the Panguna copper mine. This conflict claimed an estimated 10,000 lives in the 1990s civil war. This photograph is one of the many that we have selected to mark the 10th anniversary of the Pacific Media Centre in Auckland University of Technology’s School of Communication Studies...</p> Jim Marbrook Copyright (c) 2017 Jim Marbrook and Pacific Media Centre https://creativecommons.org/licenses/by-nc/4.0 https://ojs.aut.ac.nz/pacific-journalism-monographs/article/view/18 Thu, 30 Nov 2017 00:00:00 +0000 Preface https://ojs.aut.ac.nz/pacific-journalism-monographs/article/view/15 <p>Lord, said David, since you do not need<br>us, why did you create these two worlds?<br>Reality replied: O prisoner of time, I<br>was a secret treasure of kindness and<br>generosity, and I wished this treasure<br>to be known, so I created a mirror: its<br>shining face, the heart; its darkened back,<br>the world; The back would please you if<br>you've never seen the face. (…)<br><sub>Mevlana Celaleddin Rumi, from the poem&nbsp;</sub><sub>‘Be Lost in a Call’ in Love is a Stranger (translated by&nbsp;</sub><sub>Kabir Helminski). Threshold Books, 1993.</sub></p> Berrin Yanikkaya Copyright (c) 2017 Berrin Yanikkaya and Pacific Media Centre https://creativecommons.org/licenses/by-nc/4.0 https://ojs.aut.ac.nz/pacific-journalism-monographs/article/view/15 Thu, 30 Nov 2017 00:00:00 +0000 Roimata Toroa https://ojs.aut.ac.nz/pacific-journalism-monographs/article/view/16 <p>I n Te Ao Mãori, the Toroa (albatross) is sacred. Roimata Toroa, albatross tears, is a widely used tukutuku pattern. Derived from the Te Tairawhiti Ngati Porou story of Pourangahua, the pattern speaks of the<br>misadventures of travelers who take shortcuts in haste to get to port. Pourangahua was an agriculturist who traveling a return journey to Aotearoa to grow kumara, gifted to him by Ruakapenga, a tohunga and learned scientist. Lent two pet albatrosses, Harongarangi and Tiungarangi, by Ruakapenga, Pourangahua is given strict instructions on which hazards to avoid, the care of the birds, and a karakia to give thanksgiving for their safe return. In his hurriedness to see his wife Kaniowai, Pourangahua takes a shortcut, runs into a taniwha (a denotation of hazards), and forgets the karakia and fails to care for the birds,<br>leading to their grief and eventual demise. Realising he has dishonoured Ruakapenga, Pourangahua tries to cover his mistake, by belatedly doing the karakia, but it is too late. The damage was done...</p> Natalie Robertson Copyright (c) 2017 Natalie Robertson and Pacific Media Centre https://creativecommons.org/licenses/by-nc/4.0 https://ojs.aut.ac.nz/pacific-journalism-monographs/article/view/16 Thu, 30 Nov 2017 00:00:00 +0000 Voice of the Voiceless https://ojs.aut.ac.nz/pacific-journalism-monographs/article/view/17 <p>'The Pacific Islands have long been a refuge,’ wrote celebrated Vanuatu-based investigative photojournalist Ben Bohane in the introduction to his extraordinary 2013 collection The Black Islands, ‘for eccentric<br>foreigners and castaways too, who often fell into one (or several) of these categories: mercenary, missionary or misfit.’...</p> David Robie Copyright (c) 2017 David Robie and Pacific Media Centre https://creativecommons.org/licenses/by-nc/4.0 https://ojs.aut.ac.nz/pacific-journalism-monographs/article/view/17 Thu, 30 Nov 2017 00:00:00 +0000