Recollection: A curation of memories
Abstract
The story of a homesick immigrant is an important one, relating to their nostalgia and longing to return to what was, this project expresses these complex emotions, offering a narrative that resonates with those experiencing similar cultural transitions. Created is an auto-ethnographic book combining poetic language with visual storytelling, conveyed through journalistic-style illustration and writing. The design choices, such as experimental typography, recreated memorabilia and hand-drawn imagery, invite readers to connect with the narrative on a personal level. The exploration of Filipino history, combined with personal reflection on experiences of displacement helped to inform the design. This book seeks to inspire readers to cherish the nostalgia tied to their cultural heritage, particularly those who have left their homelands, reminding them that while life may change, our roots and communities remain fundamental to who we are.
References
Wilcken, L. (2010, December 28). Filipino tattoos: Ancient to modern.
Hutton, B. (2018, June 26) The Last Tattooed Women of the Philippines’ Kalinga Tribe. Another magazine. https://www.anothermag.com/art-photography/10962/the-last-tattooed-women-of-the-philippines-kalinga-tribe).
Carpio, A. (2023, April 7) Meet the 106-Year-Old Woman Keeping an Ancient Filipino Tattooing Tradition Alive. Vogue. https://www.vogue.com/article/apo-whang-od-and-the-indelible-marks-of-filipino-identity
Binsky, D. (2023, May 23) She’s a 107 Year Old Tattoo Artist. YouTube. https://www.youtube.com/watch?v=1Fb3G9x6MZM
De Guzman, D. (2017, February 26). Mystical and sacred trees of the Philippines. The Aswang Project. Retrieved October 25, 2024, from https://www.aswangproject.com/mystical-sacred-trees-philippines/
Milne, A. A. (1926). Winnie the Pooh. Methuen & Co.
Dr. Seuss. (1990). Oh, the places you’ll go! Random House.
Handler, R., & Mattel, Inc. (1959). Barbie doll. Mattel.
Copyright (c) 2025 Johanna Rico; Marcos Mortensen Steagall (Translator)

This work is licensed under a Creative Commons Attribution 4.0 International License.
Authors submitting articles for publication warrant that the work is not an infringement of any existing copyright and will indemnify the publisher against any breach of such warranty. By publishing in LINK PRAXIS Journal, the author(s) agree to the dissemination of their work through the LINK PRAXIS Journal.
By publishing in LINK PRAXIS Journal, the authors grant the Journal a Creative Commons nonexclusive worldwide license (CC-BY 4.0): Creative Commons Attribution-NonCommercial 4.0 International License) for electronic dissemination of the article via the Internet, and, a nonexclusive right
to license others to reproduce, republish, transmit, and distribute the content of the journal. The authors grant the Journal the right to transfer content (without changing it), to any medium or format necessary for the purpose of preservation.
Authors agree that the Journal will not be liable for any damages, costs, or losses whatsoever arising in any circumstances from its services, including damages arising from the breakdown of technology and difficulties with access.